The lyrics ask, "Can we be saved, has the damage all been done? Is it too late to reverse what we've become?" This idea of being beyond saving and irreversible damage is a common theme in many songs from Rise Against. The chorus emphasizes the sense of urgency behind the message of the song. The second verse highlights the speaker's acknowledgement of the weight of the world's problems, but also their own denial of the impending doom that they feel. The imagery of "colors filled with black debris" and "nameless things swept out of sight" gives the impression of a world that is in disarray and in need of change. The first verse paints a picture of a world that is filled with chaos and destruction. The lyrics to Rise Against's song "Chamber the Cartridge" address several themes, but ultimately serve as a critique of society's complacency and lack of action. Is it too late to reverse what we've begun?Įyes glazed with distrust, no sense of wrong or right On Wall Street, a single mom of three, a TV personality While every breath that we take, we only suffocateįirst bouts of delirium and scenes of homeless Democrats What's mine was always yours, and yours is mineĪnd so we carry on each day as if our lives were not so real Is it too late to reverse what we've become?Ī lesson to learn at a crucial point in time Remember those killed by names we each call, are you happy where you are?Ĭan we be saved, has the damage all been done? Tell me how these things traced with colors filled with black debrisĪnd how these loyal, living Reich were nameless things swept out of sightĭead through the streamers on the sky past neon words where we The album received a rating of four out of five stars, while "Ready to Fall", "Prayer of the Refugee", "The Good Left Undone", "Behind Closed Doors", and the radio-only "The Approaching Curve" earned Rise Against its heaviest airplay to date He praised the music "sincerity and passion" and described it "maturing within the realms of major-label hardcore revivalism, while still remaining relevant and exciting". The album received positive reviews, Corey Apar of Allmusic described the album "one shout-along, mosh-worthy song after another". All of these things demonstrate that Rise Against is drawing from a broader palette than many of its counterparts, one of the reasons it will (indeed, already has) rise above the masses of sound-alike acts vying for the attention of the MySpace generation. Cut from the same savvy cloth as Bad Religion and Black Flag, Rise Against rocks hard during the martial opus opener, "Chamber The Cartridge," the melodic "Injection," which asks us to imagine that Iron Maiden came from sunny California and not some dreary part of London, and "Ready To Fall," which may be one of the greatest anthems of adolescent estrangement since The Who's "Baba O'Riley." The band also isn't afraid of a good hook and scintillating melody ("Under The Knife"), exploring complex emotions ("Roadside"), or unleashing a bit of old-school breakneck fury sans apology ("Bricks"). Rise Against returns with a rollicking wallop of an album that further establishes the Chicago-based outfit as one of the great bright hopes for the future of alienation rock. It was their second release on major label Geffen Records, following 2004's Siren Song of the Counter Culture. Cut from the same savvy cloth as Bad Religion and Black Flag, Rise Against rocks hard during the martial opus opener, "Chamber The Cartridge," the melodic "Injection," which asks Read Full Bio The Sufferer & the Witness is the fourth album by American punk rock band Rise Against. The Sufferer & the Witness is the fourth album by American punk rock band Rise Against.
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